The Latvian mezzo, who has triumphed in Rossini operas here over the past two seasons, has previously portrayed Bizet's heroine in revivals in her native Riga and in Rome. "I am so excited to be doing a new production of Carmen at the Met," Garanča says. On New Year's Eve, Elīna Garanča added her name to a pantheon of Met mezzos who have inhabited the role, including Risë Stevens, Shirley Verrett, and Marilyn Horne, among many others. For a mezzo-soprano, there's no greater vehicle than Carmen, which can elevate a diva's career to the absolute highest ranks. She casts a giant shadow, extending beyond this opera and even beyond the genre itself to become part of our collective imagination. But the gypsy Carmen towers over Bizet's masterpiece in a way that surpasses most other operas' eponymous heroes or heroines. ![]() That may seem obvious most operas, of course, center on one lead character.
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